Photo credit: lakesidepottery.com
Marilyn Brown Oden writes that "sometimes a sense of dissatisfaction whispers to us from deep within. We feel a stirring, a yearning. If you know what I'm talking about, don't stuff this yearning down without a hearing. Don't be afraid of it. Chittister reminds us, 'trust your dissatisfaction. A deep dissatisfaction is an invitation to listen to our yearning. To reflect on our emptiness. To pray. To try to discern its source and its message. For it is our own calling that invites us to respond, our own life that we are intended to live."
I don't know about you, but the older I get, the more complicated it becomes to listen to my yearnings and follow my dreams. And that's just as it should be. Growing up into maturity means recognizing that to have some things, we have to let go of others; or at least put some things on hold for a while. But it can be tempting, on some days, to roll my eyes at Oden's advice and just stuff my yearnings down without a hearing. When I am tempted this way, though, I think about throwing pots (not across the room, but on a wheel). Potters know that, not only does each kind of clay respond differently to shaping, but each individual pot responds differently. A potter's hands have to pay attention to the feel of the clay, and adjust the kind of pressure they're applying accordingly. The act of shaping a pot is as much an act of listening and attending to the clay as it is coaxing it into a pre-visioned shape. The best potter is a master of improvisation. She has to be ready to revision the shape of the piece, and pull back some of the pressure when the walls being to get too thin in places. If she tries to force a shape that the clay won't support, the whole piece just flops, and it's back to the kneading board. Patience and openness to change are as vital to beautiful art and the technical skill required.
Envisioning our vocational life is much the same process. The pressures of life can bear down on us and shape us often without our even realizing it. The further we move into adulthood, the more we are asked to choose, not between a simple good vs. bad, but rather between multiple goods. We want to provide good things for our family. We want to follow our dreams. We want to support the dreams of our spouses. We want the people we love to be proud of us, and we want to belong to a loving, supportive community. As author Parker Palmer notes, The instinct to protect ourselves by living divided lives emerges when we are young, as we start to see the gaps between life's bright promise and its shadowy realities." When we reach this point, like the potter, we have a choice. We can flop, or we can improvise. The proverbial walls may seem a bit thin, but life is like clay, after all. It is malleable and yearning to find a shape, if we're open, patient, and creative enough to listen, to attend, to improvise.
Improvising when much is at stake is never fun or easy--at least at first. It's nerve-wracking and unsettling. But sometimes we need to be unsettled and disoriented in order to pay attention to our lives, hear the whispers of our souls, and discover the source of real strength. Real strength is not the bill of goods the world has sold us. Real strength isn't about coming up with a plan and stubbornly clinging to it, despite the collateral damage. Real strength emerges when we not only embrace our gifts and aptitudes, but our limitations as well. Real strength emerges when we know how to ask for help, and can accept the help as a gift, without worrying about how we will repay it. Real strength emerges when we hear a host of voices in our head telling us why we aren't enough, but we can listen to the One voice that reminds us that we are more than enough, just as we are. Real strength is not a big concrete, rebar-reinforced wall, but a handmade pot that has been fired and survived. It's not indestructible, but it is open. Its identity is not grounded in what it keeps out, but rather in what it holds. It's not perfect, and it very likely isn't the shape its potter originally intended. But the bread it can hold is no less than life itself. The water it can contain is no less than Living Water. In its simplicity it calls us to partake. To eat and to drink, and to be just what we were intended to be.
Marilyn Brown Oden writes that "sometimes a sense of dissatisfaction whispers to us from deep within. We feel a stirring, a yearning. If you know what I'm talking about, don't stuff this yearning down without a hearing. Don't be afraid of it. Chittister reminds us, 'trust your dissatisfaction. A deep dissatisfaction is an invitation to listen to our yearning. To reflect on our emptiness. To pray. To try to discern its source and its message. For it is our own calling that invites us to respond, our own life that we are intended to live."
I don't know about you, but the older I get, the more complicated it becomes to listen to my yearnings and follow my dreams. And that's just as it should be. Growing up into maturity means recognizing that to have some things, we have to let go of others; or at least put some things on hold for a while. But it can be tempting, on some days, to roll my eyes at Oden's advice and just stuff my yearnings down without a hearing. When I am tempted this way, though, I think about throwing pots (not across the room, but on a wheel). Potters know that, not only does each kind of clay respond differently to shaping, but each individual pot responds differently. A potter's hands have to pay attention to the feel of the clay, and adjust the kind of pressure they're applying accordingly. The act of shaping a pot is as much an act of listening and attending to the clay as it is coaxing it into a pre-visioned shape. The best potter is a master of improvisation. She has to be ready to revision the shape of the piece, and pull back some of the pressure when the walls being to get too thin in places. If she tries to force a shape that the clay won't support, the whole piece just flops, and it's back to the kneading board. Patience and openness to change are as vital to beautiful art and the technical skill required.
Envisioning our vocational life is much the same process. The pressures of life can bear down on us and shape us often without our even realizing it. The further we move into adulthood, the more we are asked to choose, not between a simple good vs. bad, but rather between multiple goods. We want to provide good things for our family. We want to follow our dreams. We want to support the dreams of our spouses. We want the people we love to be proud of us, and we want to belong to a loving, supportive community. As author Parker Palmer notes, The instinct to protect ourselves by living divided lives emerges when we are young, as we start to see the gaps between life's bright promise and its shadowy realities." When we reach this point, like the potter, we have a choice. We can flop, or we can improvise. The proverbial walls may seem a bit thin, but life is like clay, after all. It is malleable and yearning to find a shape, if we're open, patient, and creative enough to listen, to attend, to improvise.
Improvising when much is at stake is never fun or easy--at least at first. It's nerve-wracking and unsettling. But sometimes we need to be unsettled and disoriented in order to pay attention to our lives, hear the whispers of our souls, and discover the source of real strength. Real strength is not the bill of goods the world has sold us. Real strength isn't about coming up with a plan and stubbornly clinging to it, despite the collateral damage. Real strength emerges when we not only embrace our gifts and aptitudes, but our limitations as well. Real strength emerges when we know how to ask for help, and can accept the help as a gift, without worrying about how we will repay it. Real strength emerges when we hear a host of voices in our head telling us why we aren't enough, but we can listen to the One voice that reminds us that we are more than enough, just as we are. Real strength is not a big concrete, rebar-reinforced wall, but a handmade pot that has been fired and survived. It's not indestructible, but it is open. Its identity is not grounded in what it keeps out, but rather in what it holds. It's not perfect, and it very likely isn't the shape its potter originally intended. But the bread it can hold is no less than life itself. The water it can contain is no less than Living Water. In its simplicity it calls us to partake. To eat and to drink, and to be just what we were intended to be.